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Empire Magazine, a decidedly pro-British film magazine, offered their picks for the bravest, most innovative, and most creative films - the "ultimate indie lineup" of 50 of the best non-studio works ever made.
Descriptions of choices for the 50 Greatest Independent Films are excerpted from the Empire Magazine website.
Inventing American indie cinema before QT was even born, writer-director John Cassavetes' debut feature is a rough hewn landmark.
Taking a subject matter that '50s Hollywood wouldn't touch with a barge-pole - the tensions within a black family arising when a young woman (Leila Goldoni) starts dating white men - Cassavetes ignores all the tricks of the mainstream to jazz up his simple story, instead opting for an almost home movie approach where you are allowed to get under the skin of the central character.
In this case, and with no disrespect to Shane Meadows' assured direction, it's the stunning turn by its star and co-writer, Paddy Considine that's won it a place.
An object lesson in how to shoot at speed, this smashes the stereotype of the talky, heavy European indie.
Cube is proof - if proof were needed - that you only need simple concept to make an arresting, interesting film.
He's the central character, an ex-soldier who returns to his hometown and brings down a world of pain on the men who bullied his younger brother.
A showcase for a deserving actor, and a perfect example of the indie sector's ability to tackle storylines that studios would shy away from, this is one of the finest British films in years.- this burst like a firework on the indie world, and acted as a wake-up call to the US indie scene.